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- <text id=93TT2266>
- <title>
- Dec. 20, 1993: The Arts & Media:Books
- </title>
- <history>
- TIME--The Weekly Newsmagazine--1993
- Dec. 20, 1993 Enough! The War Over Handguns
- </history>
- <article>
- <source>Time Magazine</source>
- <hdr>
- ARTS & MEDIA, Page 64
- Books
- Where Wild Things Roam
- </hdr>
- <body>
- <p>In a lively Christmas crop of books for children, there are
- dragons, wildebeests, camels, hop frogs--and a dose of the
- real world too
- </p>
- <p>The Dragons Are Singing Tonight, by Jack Prelutsky (Greenwillow;
- $15). They sure are, in rum-tiddly-pum verse designed for surefire
- (no trick at all, for dragons) recitation. Sample: "I'm bored
- with my bad reputation/ For being a miserable brute/ And being
- routinely expected / To brazenly pillage and loot." On reflection,
- however, he decides that "since I can't alter my nature,/ I
- guess I'll just terrify you." Ferocious dragonographics by illustrator
- Peter Sis.
- </p>
- <p> Now Everybody Really Hates Me, by Jane Read Martin and Patricia
- Marx (HarperCollins; $14). Adults in Roz Chast's funny-because-they're-not-funny
- New Yorker cartoons look like blobby 11-year-olds, so she's
- a natural to illustrate the stirring tale of Patty Jane, unjustly
- punished for bopping her little brother. ("I did not hit Theodore.
- I touched him hard.") To teach the world a lesson, she decides
- to stay in her room forever. Snit-having Jennifers will recognize
- a master.
- </p>
- <p> We Are All in the Dumps with Jack and Guy, by Maurice Sendak
- (HarperCollins, $20). In the dumps puts matters too mildly.
- Give or take the late Dr. Seuss, Sendak is by far our most talented
- artist and writer for children (Where the Wild Things Are, In
- the Night Kitchen). His new book is about homeless children,
- and it matches the world's madness with the bitter fantasies
- of art. We see a frightening jumble of hungry, half-naked street
- kids, voracious rats, a huge cat-faced moon. Two white urchins
- discover a brown boy barely old enough to walk. Jingly verse
- that recalls The Threepenny Opera teeters on murder: "Come says
- Jack let's knock him on the head, No says Guy let's buy him
- some bread." The happy ending is cold comfort: a ruck of bony
- children trying to sleep in a shantytown. This is brilliant
- and powerful stuff, but it is hard to imagine reading it to
- a child. Some adults may feel, under the baleful influence of
- Sendak's parable, that it is hard to imagine having a child.
- </p>
- <p> Hop Jump, by Ellen Stoll Walsh (Harcourt Brace; $13.95). A froggy
- first book for bouncing preschoolers, the title pretty much
- sums up the plot, until an unusually balletic frog (blue with
- spots, to distinguish her from ordinary green-with-spots plodders)
- teaches her pondmates to dance. Read me the frog book, Daddy!
- </p>
- <p> The Bracelet, by Yoshiko Uchida (Philomel; $14.95). A clear,
- direct look at social injustice is especially hard in children's
- literature, whose traditions say wrongs must be made right.
- In 1942 the Japanese-American author was sent with her family
- to a detention camp, and this story and Joanna Yardley's warm,
- elegiac illustrations recall a time for which good explanations
- are still not available. The title refers to a bracelet given
- the Japanese-American heroine Emi, who's about eight, by her
- Anglo friend Laurie. The gift and the remembered friendship
- allow Emi to hope that peace and trust will return to her world.
- </p>
- <p> Where Are You Going, Manyoni?, by Catherine Stock (Morrow; $15).
- The pick of a good year: the author, a fine watercolor artist,
- follows a little Zimbabwean girl as she wakes up at dawn and
- walks miles through forests and grasslands to her school. Small
- children can have fun finding Manyoni's tiny figure in a grove
- of fig trees or waist-deep in riverside grass; older kids can
- learn to spot the civet cat, the yellow hornbill and the impalas,
- kudus and wildebeests she passes. The exceptional illustrations
- treat the vast African landscape with awe and love. Beautifully
- redrawn cave paintings, based on work by prehistoric artists
- who saw much the same landscape--a rhinoceros, a fish and
- what might be an antelope--serve as endpapers.
- </p>
- <p> The Secret Room, by Uri Shulevitz (Farrar, Straus & Giroux;
- $15). Once upon one more time, we have the slightly dippy king
- who craves the answer to a riddle ("Why is your head gray and
- your beard black?"), the humble but clever man who provides
- it and the nasty court counselor who is jealous. Humility prevails
- and spin-doctoring fails, as invariably happens in stories.
- The author's angular tempera illustrations are vivid and funny--the camel on which the king perches is an unusually thoughtful
- and sardonic beast--but the somewhat preachy story doesn't
- add much to the fun.
- </p>
- <p> Charles Dickens: The Man Who Had Great Expectations, by Diane
- Stanley and Peter Vennema (Morrow; $15). Here's a fine choice
- for a book-loving older child. The story Dickens lived was as
- dramatic as any he wrote, and the literate text of this fascinating
- biography deals gently but firmly with his chaotic childhood
- and disastrous marriage, his spectacular success and the appalling
- condition of the poor. Detailed illustrations bring 19th century
- England to life for the young time traveler.
- </p>
-
- </body>
- </article>
- </text>
-
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